1957   
        
        27th of September – The Malvern Arts Council decided to form a drama group.
        29th of October – The Malvern Drama Group was formed with an elected Interim Committee.
        3rd of December – Committee office bearers were elected.


1958

• A LADY MISLAID – Directed by Luke Oldham  (2 performances 18 and 19/4/58). 
• THE RIVER LINE – Directed by A. R. Beldam  (3 performances 27 to 29/5/58). 
• RANDOM HARVEST – Directed by John Thompson  (3 performances 3 to 5/12/58). 
• Two one-act plays: TICKET TO SPRINGTIME – Directed by Phil Burnett,  MRS. TREDRUTHAN’S SON – Directed by Alec Rosenblum  (one performance 18/12/58). 

1959

• FLAT TO LET – Directed by Joan Morgan  (4 performances 27 to 30/4/59). 
• TELL-TALE MURDER – Directed by Joan Morgan  (possibly 4 performances, opened 17/8/59). 
• TRAVELLERS' JOY – Directed by Allan Stewart  (4 performances 9 to 12/12/59). 
  

1960

• FOR BETTER FOR WORSE – Directed by Joan Morgan  (3 performances 28 to 30/3/60). 
• THE DIARY OF ANNE FRANK – Directed by Joan Morgan  (5 performances 28/6 to 2/7/60). 
• Three play readings: THE CLOAK,  PORTRAIT OF A MADONNA,  ROUNDABOUT – (29/7/60) 
• AS WORN BY ARCHILLES – Directed by Joan Morgan (6 performances 3 to 9/10/60). 
• TAPESTRY OF SHADES – Directed by Joan Morgan (10/11/60).
• Three one-act plays: THE FRIENDS OF VALERY LANE,  BRIGHT SOCIETY,  THE CLOD – names of the directors unknown  (one performance 1/12/60). 
  

1961

• TEAHOUSE OF THE AUGUST MOON – Directed by Allan Stewart  (5 performances 16 to 20/5/61). 
• Three one-act plays: THE DOUBTFUL FORTUNES OF LI SING,  THEY CAME TO A COTTAGE,  THE HAPPY JOURNEY – names of directors unknown  (3/8/61). 
• FOR PETE’S SAKE – Directed by Joan Morgan  (5 performances 29/8 to 2/9/61).
• A DAY IN THE LIFE OF … – Directed by Joan Morgan  (8 performances 27/11 to 9/12/61).  

1962

• LAURA – Directed by Iris Blake  (number of performances unknown 2 to 14/4/62). 
• Four one-act plays:  THE CELLAR and  GENTLE PERSUASION – Directed by Iris Blake,  SATURDAY NIGHT and  THE ROSE AND THE CROWN – Directed by Joy Batty  (performance dates unknown). 
• HANDS ACROSS THE SEA – director not known  (one performance 18/8/62). 
• HAYFEVER – Directed by Allan Stewart  (4 performances 13 to 17/11/62). 

 
1963

• Three one-act plays:  ON THE FRONTIER – Directed by Iris Blake,  OUT OF THE DARKNESS – Directed by Dorothy Ross,  CAREFUL RAPTURE – Directed by Ray Boatman  (2 performances 1/8 and 3/8/63). 
• DON’T LISTEN LADIES – Directed by Mollie Corkran  (4 performances 20 to 23/11/63).

• FISH OUT OF WATER – Directed by Allan Stewart  (3 performances 30/4 to 2/5/64). 
• Three one-act plays:  TWENTY-SEVEN WAGONS FULL OF COTTON – Directed by Ray Reardan,  A RESOUNDING TINKLE – Directed by Iris Blake,  SHORTLY AFTER LUNCH – Directed by Frank Dormer  (two performances 7/8 and 8/8/64). 
• LORD ARTHUR SAVILE’S CRIME – Directed by Iris Blake  (2 performances 26/11 and 28/11/64).  

• SOMEONE WAITING – Directed by Allan Stewart  (3 performances 1 to 3/4/65). 
• TIME OUT FOR GINGER – Directed by John Gunn  (3 performances 3 to 5/6/65). 
• Two one-act plays:  (the name of the first one is not known),  THE PUBLIC EYE - name of director not known  (possibly one performance, performance date unknown). 
• THE TRUTH ABOUT THE TRUTH – Directed by Allan Stewart  (dates and number of performances unknown). 
• MURDER MISTAKEN – Directed by Raymond Riordan  (3 performances 2 to 4/9/65). 
• RELATIVE VALUES – Directed by Iris Blake  (3 performances 26 to 28/11/65).

1966

• THE GHOST TRAIN – Directed by Allan Stewart  (4 performances 16 to 19/3/66).  
• RAPE OF THE BELT – Directed by Iris Blake (4 performances 20 to 23/7/66).  
• GASLIGHT – Directed by John Gunn  (3 performances 9 to 11/11/66).

1967   (10th Year) 

• THIS IS MY FATHER – Directed by Iris Blake  (one performance 8/3/67).  
• THE RELUCTANT DEBUTANTE – Directed by John Gunn  (3 performances 9 to 11/3/67).  
• TEMPTATION SORDID … VIRTUE REWARDED – Directed by Joan Blake  (Workshop Production, 2 performances 1/7/67 and 15/8/67). 
• ANASTASIA – Directed by Iris Blake  (3 performances 20 to 22/7/67). 
• Two one-act plays:  BETWEEN THE SOUP AND THE SAVOURY – Directed by Donald Hammond,  VILLA FOR SALE – Directed by Peter Johannsen  (Workshop Production, 2 performances 2/11 and 4/11/67). 
• BRIDES OF MARCH – Directed by Carolyn Gunn  (3 performances 23 to 25/11/67).    

• THE REPECTABLE PROSTITUTE – Directed by Joy Warfe  (Workshop Production, 2 performances 23 and 24/2/68). 
• DEAR CHARLES – Directed by Iris Blake  (4 performances 24 to 27/4/68). 
• THE GRASS IS GREENER – Directed by Peter Johannsen  (8 performances 14 to 29/6/68 plus 7 touring). 
• Two one-act plays: CLOUD OVER THE MORNING,  THE FISH – Directed by Iris Blake  (2 performances 27/7 and 3/8/68). 
• TEVYA AND HIS DAUGHTERS – Directed by Carolyn Gunn  (3 performances 15 to 17/8/68). 
• MGD Junior one-act play:  SUNDAY COSTS FIVE PESOS – Directed by Joy Farley  (matinee and evening 24/8/68). 
• WOMAN IN A DRESSING GOWN – Directed by Peter Johannsen  (8 performances 11/10 to 2/11/68). 
• SAILOR BEWARE – Directed by Iris Blake  (3 performances 29 to 30/11/68 plus 14/12/68 at Sorrento). 
• ALL BECAUSE OF AGATHA – Directed by John Gunn  (4 performances 20 to 23/11/68 plus 7/12/68 at Wonthaggi).  

• PRIVATE LIVES – Directed by Paddi Hawkins  (dates and number of performances unknown).   
• LORD ARTHUR SAVILE'S CRIME – Directed by Iris Blake  (3 performances 8 to 10/5/69).
• MATILDA SHOUTED FIRE – Directed by Angela Eustace  (8 performances 30/5 to 14/6/69 after 24/5/69 at Leongatha). 
• THE TOWER – Directed by Ronald Avery  (4 to 17/7/69 plus 2/8/69 at Rushworth). 
• Two one-act plays:  THE DOCK BRIEF,  A PHOENIX TOO FREQUENT – Directed by Jean Sutherland  (8 performances 15 to 30/8/69 plus 6/9/69 at Armadale). 
• BAREFOOT IN THE PARK – Directed by John Gunn  (8 performances 26/9 to 11/10/69 after 13/9/69 at Foster). 
• SAY WHO YOU ARE – Directed by Peter Johannsen  (8 performances 31/10 to 15/11/69 plus 22/11/69 at the Australian-American Association).
• A Review: EIGHT BEATS IN A BAR – Directed by Iris Blake  (6 performances 27/11 to 6/12/69). 

1970

• Two one-act plays:  VIVA JUAREZ – Directed by David Baggallay,  THE FORM – Directed by Madeleine Cole assisted by Joan Blake  (3 performances 2 to 4/4/70). 
• THE AMERICAN DAME – Directed by Carolyn Gunn  (4 performances 1 to 4/7/70).   
• EVERYTHING IN THE GARDEN – Directed by Jean Sutherland  (6 performances 5 to 15/8/70). 
• HAY FEVER – Directed by Carolyn Gunn  (5 performances 22 to 31/10 plus 7/11/70 at Foster). 

 
MAVERN THEATRE COMPANY from 1971 -

1971

• ON BORROWED TIME – Directed by Carolyn Gunn  (4 performances 17–20/3/71 plus 27/3/71 at Rushworth). 
• Two one-act plays:  THE PRIVATE EAR – Directed by Madeleine Cole,  THE COMPLEAT LOVER – Directed by Peter Blake  (2 performances 16/4 and 17/4/71).
• AUNTIE MAME – Directed by John Gunn  (4 performances 5–8/5/71). 
• Playbill (THE BROWNING VERSION and HARLEQUINADE) – Directed by Nanette Good  (4 performances 16–19/6/71 plus 26/6/71 at Foster).
• THE MAN WHO CAME TO DINNER – Directed by Pat Milthorpe  (7 performances 28/7–6/8/71 plus 7/8/71 at the Australian-American Association). 
• ROPE – Directed by Caroline Piesse  (4 performances 8–11/9/71 plus 25/9/71 at Omeo). 
• ARSENIC AND OLD LACE – Directed by Maggie McInnes  (8 performances 13–21/10/71 plus 23/10/71 at Foster). 
• THE ONE DAY OF THE YEAR – Directed by Max Mander  (4 performances 24–27/11/71). 
• THE ISLAND OF HAPPINESS – Directed by Iris Blake  (5 performances 15–18/12/71).  

• AMPHITRYON – Directed by Alistair Tweeddale  (4 performances 16 to 5–18/3/72). 
• THE LION IN WINTER – Directed by Carolyn Gunn  (4 performances 3 to 6/5/72). 
• LITTLE BOXES (The Coffee Lace and  Trevor) – Directed by Pat Milthorpe  (6 performances 14 to 23/6/72). 
• THE IRREGULAR VERB TO LOVE – Directed by Jean Sutherland  (4 performances 26 to 29/7/72). 
• Two one-act plays:  LITTLE BROTHER, LITTLE SISTER and  LET'S BE DEVILS – Directed by Karen Watson  (one performance 8/9/72). 
• TOVARICH – Directed by Iris Blake  (4 performances 20 to 23/9/72). 
• WHO’S AFRAID OF VIRGINIA WOOLF? – Directed by Igor Persan  (4 performances 25 to 28/10/72). 
• THE RIVALS – Directed by Caroline Piesse (our 100th major production,  6 performances 2 to 9/12/72).   

• THE SHIFTING HEART – Directed by Karen Scott-Watson  (6 performances 8 to 17/3/73). 
• ROMANOFF AND JULIET – Directed by Max Mander  (6 perfomances 26/4 to 5/5/73).  
• CACTUS FLOWER – Directed by Doug Lindsay  (6 performances 14 to 23/6/73).  
• SPRING 1600 – Directed by Kevin Good  (6 performances 26/7 to 4/8/73).  
• WAIT UNTIL DARK – Directed by Caroline Piesse  (6 performances 13 to 22/9/73). 
• MY SISTER EILEEN – Directed by John Gunn  (6 performances 22/11 to 1/12/73).  

• LILIES OF THE FIELD – Directed by Carolyn Gunn (4/3/74 at the Moomba Festival of Drama then a season of 6 performances 14 to 23/3/74). 
• MACBETH – Directed by Kevin Good  (12 performances 27/4 to 10/5/74). 
• BANG BANG BIERUT – Directed by Peter Johannsen  (7 performances 27/6 to 6/7/74). 
• PINK STRING AND SEALING WAX – Directed by Maggie McInnes  (7 performances 22 to 31/8/74).
• Three one-act plays:  THE PRIVATE EAR – Directed by Colin Pearce,  WHEN A WIFE STRIKES – Directed by Stan Marks,  THE MONKEY'S PAW – Directed by Jim Ramsay  (2 performances 7/9 and 8/9/74). 
• FORTUNE AND MEN'S EYES – Directed by John Gunn  (6 performances 17 to 26/10/74). 
• THERE’S A GIRL IN MY SOUP – Directed by Gary Buckley  (8 performances 5 to 14/12/74 then one at the Moomba Festival of Comedy 27/2/75).

• BLITHE SPIRIT – Directed by Margaret Hetherington  (7 performances 13 to 22/3/75). 
• ONE FOR THE POT – Directed by Peter Johannsen  (10 performances 7 to 17/5/75). 
• MOTHER COURAGE – Directed by Max Mander  (13 performances 28/6 to 12/7/75 plus 6 at the Bridge School of Drama). 
• THE IMPORTANCE OF BEING ERNEST – Directed by Kevin Good  (6 performances 21 to 30/8/75). 
• EDEN HOUSE – Directed by Gary Buckley  (7 performances 9 to 18/10/75).
• Three one-act plays: PURGATORY – Directed by Andrew Kay,  WAKEFIELD COOPER’S PAGEANT – Directed by Maggie McInnes,  DAS LEBEN-BEI-TOTENTANG – Directed by Colin Pearce  (2 performances 31/10 and 1/11/75). 
• THE FANTASTICKS – Directed by Brian Howlett (13 performances 22/11 to 6/12/75 plus 5/3/76 at Moomba Festival). 

• THE ANNIVERSARY – Directed by Colin Pearce  (7 performances 18–27/3/76). 
• THE GLASS MENAGERIE – Directed by Colin Cave  (10 performances 28/4–8/5/76). 
• SEE HOW THEY RUN – Directed by Carolyn Gunn  (10 performances 29/6–10/7/76). 
• WHEN DID YOU LAST SEE MOTHER? – Directed by Roy Baldwin  (7 performances 12–21/8/76). 
• CHASE ME COMRADE – Directed by Peter Johannsen  (9 performances 6–16/10/76). 
• THE CONSTANT WIFE – Directed by Harold Burrows  (8 performances 24/11–4/12/76). 

• A THOUSAND CLOWNS – Directed by Ewen Crockett  (8 performances 23/2–5/3/77). 
• MACBETH – Directed by Colin Cave  (15 performances 19/4–7/5/77). 
• Youth Theatre, three plays:  RAHAB – Directed by Lazlo Hoffman,  TRANSCENDING – Directed by Kirsten Mander,  THE LEADER – Directed by Max Mander  (2 performances 20/5 and 21/5/77). 
• BREAKFAST WITH JULIA – Directed by Colin Pearce  (11 performances 22/6–9/7/77). 
• THE INNOCENTS – Directed by John Gunn  (9 performances 10–20/8/77). 
• MOVE OVER MRS. MARKHAM – Directed by Peter Johannsen  (14 performances 5–22/10/77). 
• THE FRONT PAGE – Directed by Harold Burrows  (season ran 29/11–10/12/77). 

 
1978   (21st Year) 

• JUGGLERS THREE – Directed by Maurice Johns  (10 performances 21/2–4/3/78 plus one at ‘A’ Division, Pentridge). 
• SPRING AND PORT WINE – Directed by Alan Lee  (10 performances 18–29/4/78). 
• A MURDER HAS BEEN ARRANGED – Directed by Ewen Crockett  (10 performances 20/6–1/7/78). 
• ANY WEDNESDAY – Directed by Joy Warfe  (10 performances 8–19/8/78). 
• DYLAN – Directed by Colin Cave  (15 performances 3–21/10/78). 
• THE SINS OF SYLVESTER SLADE – Directed by Carolyn Gunn  (13 performances 30/11–16/12/78).
  

1979

• THE PHILANTHROPIST – Directed by Frank McNamara  (10 performances 20/2–3/3/79). 
• PRISONER OF SECOND AVENUE – Directed by Hilda Orton  (13 perfromances 19/4–5/5/79). 
• ONE FLEW OVER THE CUCKOO’S NEST – Directed by Maurice Johns  (13 performances 14–30/6/79). 
• SHE STOOPS TO CONQUER – Directed by Maggie McInnes  (13 performances 7–25/8/79). 
• MIXED DOUBLES – Directed by Ewen Crockett  (13 performances 27/9–13/10/79). 
• COWARDY CUSTARD – Directed by Carolyn Gunn  (13 performances 22/11–8/12/79).
  
   

1980

• PYGMALION – Directed by Judith Muir  (13 performances 13–29/3/80). 
• THE KILLING OF SISTER GEORGE – Directed by John Gunn  (10 performances 29/4–10/5/80). 
• BOY MEETS GIRL – Directed by Monte Miller  (13 performances 19/6–5/7/80). 
• BUTLEY – Directed by Julian Couzins  (10 performances 5–16/8/80). 
• THE CLUB – Directed by Ewen Crockett  (13 performances 25/9–11/10/80). 
• PATRICK PEARCE MOTEL – Directed by Peter Johannsen  (13 performances 20/11–6/12/80).
   

• TABLE MANNERS – Directed by Terry McDermott  (13 performances 12–28/2/81). 
• ROLLO – Directed by Michael Walker  (13 performances 23/4–9/5/81). 
• THE BRIDE AND THE BACHELOR – Directed by Maggie McInnes  (13 performances 18/6–4/7/81). 
• TEN TIMES TABLE – Directed by Alan Lee  (13 performances 6–22/8/81). 
• AN INSPECTOR CALLS – Directed by Chris Ryan  (13 performances 24/9–10/10/81). 
• BELL, BOOK AND CANDLE – Directed by Len Wintour  (13 performances 19/11–5/12/81). 

• CROWN MATRIMONIAL – Directed by John Gunn  (13 performances 11–27/2/82). 
• NIGHT WATCH – Directed by Judith Muir  (13 performances 15/4–1/5/82).
• THE BEGGAR’S OPERA – Directed by Maggie McInnes  (13 performances 10–26/6/82).
• DEPARTMENTAL – Directed by Julian Couzins  (13 performances 5–21/8/82).
• LOVE’S A LUXURY – Directed by Carolyn Gunn  (13 performances 23/9–9/10/82). 
• A TOAST TO MELBA – Directed by Ian Brown  (13 performances 18/11–4/12/82). 

• IN DUTY BOUND – Directed by Lenore Milner  (Australian Amateur Premiere, 13 performances 18/2–5/3/83). 
• AN EVENING OF NOEL COWARD (FAMILY ALBUM and A SONG AT TWILIGHT) – Directed by Hilda Ortland  (13 performances 15–30/4/83). 
• A MAN FOR ALL SEASONS – Directed by Dina Mann  (13 performances 10–25/6/83). 
• THE PLEASURE OF HIS COMPANY – Directed by Claire Thonemann  (13 performances, season ran 5–20/8/83). 
• HOW THE OTHER HALF LOVES – Directed by John Wright  (13 performances 23/9–8/10/83). 
• FLAT SPIN – Directed by Ewen Crockett  (13 performances 18/11–3/12/83). 

• THE PERFECTIONIST – Directed by Chris Waters  (13 performances 17/2–3/3/84). 
• BUTTERFLIES ARE FREE – Directed by Deborah Pelling  (13 performances 30/3–14/4/84). 
• A DOLL’S HOUSE – Directed by Julian Couzins  (13 performances 25/5–9/6/84). 
• A TOMB WITH A VIEW – Directed by Ron Paddon  (13 performances 20/7–4/8/84). 
• THE MAN IN A GLASS BOOTH – Directed by Maurie Johns  (World Amateur Premiere, 13 performances 14–29/9/84). 
• RODGERS AND HART – Directed by Eileen Hattam  (13 performances 16/11–1/12/84). 

• VERONICA’S ROOM – Directed by Hilda Ortland  (13 performances 15/2–2/3/85). 
• BILLY LIAR – Directed by Len Wintour  (13 performances 19/4–4/5/85). 
• THE HEIRESS – Directed by Maggie McInnes  (13 performances 14–29/6/85). 
• JUST BETWEEN OURSELVES – Directed by Gwyneth McCubbin  (13 performances 2–17/8/85). 
• FOOLS – Directed by John Gunn  (13 performances 27/9–12/10/85). 
• THE LITTLE HUT – Directed by Ray Russell  (13 performances 15–30/11/85).

• PHILADELPHIA, HERE I COME – Directed by Deborah Pelling  (13 performances 14/2–1/3/86). 
• DEATHTRAP – Directed by Stephen Cummins  (13 performances 11–26/4/86). 
• HABEAS CORPUS – Directed by Ray Mitchell  (13 performances 6–21/6/86). 
• BALLERINA – Directed by Karen Scott-Watson  (13 performances 1–16/8/86). 
• THE GOLDEN PATHWAY ANNUAL – Directed by Rod Nash  (13 performances 26/9–11/10/86). 
• MALVERN MUSIC HALL – Devised and Directed by Carolyn Gunn  (13 performances 21/11–6/12/86). 

• 84 CHARING CROSS ROAD – Directed by Gwyneth McCubbin  (13 performances 13–28/2/87). 
• MURDER BY NATURAL CAUSES – Directed by Hilda Ortland  (13 performances 27/3–11/4/87). 
• PRIDE AND PREJUDICE – Directed by Judith Muir  (13 performances 22/5–6/6/87). 
• PACK OF LIES – Directed by Chris Waters  (13 performances 17/7–1/8/87). 
• BENEFACTORS – Directed by Paul King  (13 performances 4–19/9/87). 
• PASS THE BUTLER – Directed by Max Rackham  (13 performances 13–28/11/87). 

• NOISES OFF – Directed by Deborah Pelling  (13 performances 12–27/2/88).
• THE FEET OF DANIEL MANNIX – Directed by Carolyn Gunn  (13 performances 15–30/5/88).
• HOUSE GUEST – Directed by Len Wintour  (13 performances 3–18/6/88).
• NO NAMES, NO PACK DRILL – Directed by Ray Russell  (13 performances 15–30/7/88).
• BRIGHTON BEACH MEMOIRS – Directed by Maurie Johns  (13 performances 2–24/9/88).
• CONFUSIONS – Directed by Stephen Cummins  (13 performances 11–26/11/88).

1989

• WHY ME – Directed by Judi Clark  (13 performances 10–25/2/89).
• WINTER JOURNEY – Directed by Hilda Ortland  (13 performances 7–22/4/89).
• DOUBLE TROUBLE – Directed by Judith Muir  (13 performances 2–17/6/89).
• CHAPTER TWO – Directed by Graham Fletcher  (13 perfomances 21/7–5/8/89).
• CRIMES OF THE HEART – Directed by Paul King  (13 performances 15–30/9/89).
• ON THE RAZZLE – Directed by Ian Brown  (13 performances 1–16/12/89).  

1990

• THE KINGFISHER – Directed by Hilda Ortland  (13 performances 16/2–3/3/90).
• NIGHT MUST FALL – Directed by Len Wintour  (13 performances 20/4–5/5/90).
• A MAJORITY OF ONE  – Directed by Graham Fletcher  (13 performances 15–30/6/90). 
• THE DRESSER  – Directed by Gordon Dunlop  (13 performances 10–25/8/90). 
• A DAY IN THE DEATH OF JOE EGG – Directed by Stephen Cummins  (13 performances 5–20/10/90).
• THIEVES' CARNIVAL – Directed by Ian Brown  (13 performances 23/11–8/12/90).

1991

• TRIBUTE – Directed by Richard Keon  (13 performances 22/2–9/3/91).
• THE RAINMAKER – Directed by Ray Russell  (13 performances 19/4–4/5/91).
• I OUGHT TO BE IN PICTURES – Directed by Ron Conroy  (13 performances 14–29/6/91).
• MURDERER – Directed by Doug Bennett  (13 performances 9–24/8/91).
• SISTERLY FEELINGS – Directed by Graham Fletcher  (13 performances 27/9–12/10/91).
• DAYLIGHT SAVING – Directed by Barbara Bateman  (13 performances 22/11–7/12/91).
  

1992 

• LAST OF THE RED HOT LOVERS – Directed by Hilda Ortland  (14 performances 21/2–7/3/92).
• DANGEROUS CORNER – Directed by Paul King  (14 performances 24/4–9/5/92).
• AS YOU LIKE IT – Directed by Sylvia Loader  (14 performances 19/6–4/7/92).
• WOMAN IN MIND – Directed by Steve Cummins  (14 performances 7–22/8/92).
• SPARE ME BLOOMIN’ DAYS – Directed by Trevor Bickerstaff  (14 performances 25/9–10/10/92).
• THE SEAGULL – Directed by Gordon Dunlop  (14 performances 20/11–5/12/92).
  

1993

• HOBSON’S CHOICE – Directed by Don Hammond  (13 performances 19/2–6/3/93).
• FIVE FINGER EXERCISE – Directed by Ray Russell  (13 performances 23/4–8/5/93). 
• AWAY – Directed by Paul King  (13 performances 18/6–3/7/93).
• STEPPING OUT – Directed by Ron Conroy  (13 performances 6–21/8/93).
• SAME TIME NEXT YEAR – Directed by Alan Burrows  (13 performances 24/9–9/10/93). 
• LETTICE AND LOVAGE – Directed by Barbara Bateman  (13 performances 19/11–4/12/93).  

1994

• THE FOX – Directed by Hilda Ortland  (13 performances 18/2–5/3/94).
• WHAT THE BUTLER SAW – Directed by Liz Lipski  (13 performances 15–30/4/94).
• EQUUS – Directed by Trevor Bickerstaff  (13 performances 17/6–2/7/94).
• STAGE STRUCK – Directed by Steve Cummins  (13 performances 5–20/8/94).
• I HATE HAMLET – Directed by Geoff Hickey  (13 performances 23/9–8/10/94).
• PRIVATE LIVES – Directed by Gordon Dunlop  (13 performances 18/11–3/12/94).

1995

• THE SERVANT – Directed by Ray Russell  (13 performances 17/2 to 4/3/1995).  
• LIPSTICK DREAMS – Directed by Rod Nash  (13 performances 21/4 to 6/5/1995).
• JOURNEY’S END – Directed by Ian Tweeddale  (13 performances 16/6 to 1/7/1995).
• LEND ME A TENOR – Directed by Alan Burrows  (13 performances 4 to 19/8/1995).
• ALL MY SONS – Directed by Ron Conroy  (13 performances 22/9 to 7/10/1995).
• HAPPY BIRTHDAY – Directed by Bronwyn Thomas  (13 performances 17/11 to 2/12/1995).

1996

• REBECCA – Directed by Hilda Ortland  (13 performances 16/2 to 2/3/1996).
• DANCING AT LUGHNASA – Directed by Steve Cummins  (13 performances 12 to 27/4/1996).  
• SHADOWLANDS – Directed by Don Hammond  (13 performances 7 to 22/6/1996).
• TIME AND THE CONWAYS – Directed by Gordon Dunlop  (13 performances 2 to 17/8/1996).
• ECHOES – Directed by Trevor Bickerstaff  (13 performances 20/9 to 5/10/1996 plus 11/10/1996 at the Waverley Festival).  

• A CHORUS OF DISAPPROVAL – Directed by Doug Bennett  (13 performances 15 to 30/11/1996).
   

1997   (40th Year)

• TWO WEEKS WITH THE QUEEN – Directed by Liz Lipski  (13 performances 21/2 to 8/3/1997).
• THE CREEPER – Directed by Ray Russell  (13 performances 25/4 to 10/5/1997).
• ROMANTIC COMEDY – Directed by Shirley Fitch  (13 performances 27/6 to 12/7/1997).
• THE FAMILY DANCE – Directed by Graeme Moore  (13 performances 29/8 to 13/9/1997).  
• THE FANTASTICKS – Directed by Ron Conroy  (13 performances 31/10 to 15/11/1997).  

1998

• A MONTH OF SUNDAYS – Directed by Trevor Bickerstaff  (13 performances 20/2 to 7/3/1998). 
• THE WOMAN IN BLACK – Directed by Steve Cummins  (13 performances 1 to 16/5/1998).
• DIAL ‘M’ FOR MURDER – Directed by Don Hammond  (13 performances 3 to 18/7/1998).
• DEATH OF THE MAESTRO – Written and Directed by Horrie Leek  (13 performances 4 to 19/9/1998).
• THE WISDOM OF EVE – Directed by Barbara Bateman  (13 performances 6 to 21/11/1998).
• An Evening Of Mirth And Mystery: THE RATS – Directed by David Corben,  POMPADOUR – Directed by Hilda Ortland,  PIZZA MAN – Directed by Graeme Moore (4 performances 9 to 12/12/1998).